"All day long," Fleda smiled. "I'm trying not to think of myself."!

If Mr. Gereth's mother smiled in response to this, Fleda knew that her smile was a tacit criticism of such a form of reference to her son. Fleda habitually spoke of him as Mr. Owen, and it was a part of her present vigilance to appear to have relinquished that right. Mrs. Gereth's manner confirmed a certain impression of her pretending to more than she felt; her very first words had conveyed it, and it reminded Fleda of the conscious courage with which, weeks before, the lady had met her visitor's first startled stare at the clustered spoils of Poynton. It was her practice to take immensely for granted whatever she wished. "Oh, if you'll answer for him, it will do quite as well!" she said. Then she put her hands on the girl's shoulders and held them at arm's length, as if to shake them a little, while in the depths of her shining eyes Fleda discovered something obscure and unquiet. "You bad, false thing, why didn't you tell me?" Her tone softened her harshness, and her visitor had never had such a sense of her indulgence. Mrs. Gereth could show patience; it was a part of the general bribe, but it was also like the handing in of a heavy bill before which Fleda could only fumble in a penniless pocket. "You must perfectly have known at Ricks, and yet you practically denied it. That's why I call you bad and false!" It was apparently also why she again almost roughly kissed her. Blankness was for a moment on Mrs. Gereth's brow; then light broke—she visibly remembered the scene in the breakfast-room after Mona's night at Poynton. "Because I contrasted you—told him you were the one?" Her eyes looked deep. "You were—you are still!"

"Should I love him for all he has made you suffer?" As the days passed, however, it became plainer to Fleda that her only chance of success would be in lending herself to this low appearance. Then, moreover, at last, her nerves settling the question, the choice was simply imposed by the violence done to her taste—to whatever was left of that high principle, at least, after the free and reckless meeting, for months, of great drafts and appeals. It was all very well to try to evade discussion: Owen Gereth was looking to her for a struggle, and it wasn't a bit of a struggle to be disgusted and dumb. She was on too strange a footing—that of having presented an ultimatum and having had it torn up in her face. In such a case as that the envoy always departed; he never sat gaping and dawdling before the city. Mrs. Gereth, every morning, looked publicly into "The Morning Post," the only newspaper she received; and every morning she treated the blankness of that journal as fresh evidence that everything was "off." What did the Post exist for but to tell you your children were wretchedly married?—so that if such a source of misery was dry, what could you do but infer that for once you had miraculously escaped? She almost taunted Fleda with supineness in not getting something out of somebody—in the same breath indeed in which she drenched her with a kind of appreciation more onerous to the girl than blame. Mrs. Gereth herself had of course washed her hands of the matter; but Fleda knew people who knew Mona and would be sure to be in her confidence—inconceivable people who admired her and had the privilege of Waterbath. What was the use therefore of being the most natural and the easiest of letter-writers, if no sort of side-light—in some pretext for correspondence—was, by a brilliant creature, to be got out of such barbarians? Fleda was not only a brilliant creature, but she heard herself commended in these days for new and strange attractions; she figured suddenly, in the queer conversations of Ricks, as a distinguished, almost as a dangerous beauty. That retouching of her hair and dress in which her friend had impulsively indulged on a first glimpse of her secret was by implication very frequently repeated. She had the sense not only of being advertised and offered, but of being counseled and enlightened in ways that she scarcely understood—arts obscure even to a poor girl who had had, in good society and motherless poverty, to look straight at realities and fill out blanks. "Well, I am, and I'm the person most concerned. Of course I didn't use just those words: I was perfectly civil, quite as civil as she. But I told her I didn't consider she had a right to put me any such question. I said I wasn't sure that even Mona had, with the extraordinary line, you know, that Mona has taken. At any rate the whole thing, the way I put it, was between Mona and me; and between Mona and me, if she didn't mind, it would just have to remain."